Trapping Now Called “Free-Range” Fur

Thanks Vice Magazine. You always amaze me with your liberal façade that hides a super-conservative agenda. In a recent piece by Jenni Avins entitled “Free Range Fur: Is It Still Murder If You Trap It, Skin It, and Sew It Yourself?  the author says that trapping “has the potential be the fashion-industry equivalent of sustainable, free-range, farm-to-table meat.” If, by this comparison Avins means that it’s as much a total farce as sustainable, happy-meat, then I agree! But really? I thought biomass PET, cellulose-kombucha “leather”, and organic hemp-linen blends were slightly more sustainable than a toxic bath of chemicals preserving an animal’s pelt who was indiscriminately snared by a trap that clutches whatever unlucky creature (dogs, cats, birds, you name it) stumbles across it? But even if I ate grass-fed happy-meals, this sort of comparison would send up a freaked-out red flag.

The “I’m OK with it, I did it myself, therefore it’s OK” mentality can not be tested in too many cases without its glaring faults becoming crystal clear. Many people who do awful things do so themselves and feel perfectly justified, as history has shown. But in this case, the author can’t really claim she did it herself. There was no struggle to witness, no “dispatching” of the animal. No shrieking. She skinned an already-dead fox and made a vest out of it. Whoop-dee-do. Perhaps her perspective would be different if she had killed the fox herself and had to look into his or her living eyes, desperate to get away, and say to herself, “this is really worth it for a vest. I have no other way to stay warm. I must take this life”.

Avins brushes over any animal rights concerns with a simple “I’m not buying it”. But it isn’t just PETA, one academic, and activists who will splatter blood (and when was the last time this actually happened?) who are opposed to fur, as she would have us believe. Even the editor of Alaska Magazine has recently slammed the fur trapping industry as excessively cruel. And this is not Avins first foray into the world of fur trappers. She wrote a similar article for New York Magazine back on January 8th, 2012 called “He Kills it: On the hunt with a local muskrat trapper”.

The reality of trapping, as recent undercover investigations by Fur Bearer Defenders and others have shown, is by no means an idealized scenario. But you won’t find any description of a trapped animal in the Vice article. Avins dupes the reader. She provides no account of what happens during the trapping and killing, which is the pinnacle of the anti-fur debate.

Avins dupes the reader. She lures us in with “I went hunting to see how difficult it would be to transform dead animal skin into haute couture”, yet did not participate in or provide any account of what happens during the trapping and killing, which is the pinnacle of the anti-fur debate.

It is only an “ethical gray area”, as the author suggests, when we refuse to validate the perspective of the victim, and instead, view them as an object in the same way that any perpetrator who commits violence against a powerless victim objectifies them.

It is only an “ethical gray area”, as the author suggests, when we refuse to validate the perspective of the victim.

Most people do not see animals like a fox or raccoon as capable of valuing their own lives  – at least not enough to outweigh our desires to wear them or make money on their pelts. Don’t get me wrong, if I was living off the grid in the arctic circle eating blubber, I’d have no problem wearing fur.  But I also wouldn’t have to worry about an insatiable fashion industry obfuscating my clothing and turning it into a symbol of power (or ironic working class values). And while so many Hipublicans (those who Vice has been credited with giving an identity) may invoke irony, Political-correctness-backlash, and romantic native rationalizations of food and clothing, the truth is that most simply don’t need the fur to survive.

This is the part of the process that Avins missed. This is what trapping looks and sounds like:

(Source)

What happens to the carcass? No one eats fox or raccoon meat. She never answers that question, which pokes another big hole in the farm-to-table comparison. Avins spends a night “wondering whether there was a raccoon shrieking under the moon, its leg caught in one of my traps,” which is probably a good sign that what is being done is cruel and weighing on her conscience.

In the end, our author gets a very well-crafted vest out of the ordeal, and feels love for everyone who helped her out in this adventure, including the foxes. But I’d argue that if she truly loved the foxes (and not in that creepy, serial killer sort of love where you have to control IT and kill IT and own IT), she’d find some other way to keep her torso warm.

  • http://www.facebook.com/people/Justin-Levesque/100001085072410 Justin Levesque

    That girl makes me so angry

  • http://www.facebook.com/kathleenlowson Kathleen Lowson

    The fur trade and the fashion industry that drives it is soulless. Unless we heal the underbelly, the disease will prevail, like applying a band-aid to a severed limb.

    My documentary film will center on the fur trade as a paradigm of a larger nemesis permeating our world and its disconnection in society. I am making this film with the intent of awakening consciousness. This vitally important film is endorsed and supported by top animal organizations, PETA, The Hiumane Society of the United States, Humane Society International, and others.

    Thank you for creating this important website and for your voice on behalf of the innocent animals who cannot speak for themselves.

    Kathleen Lowson
    Filmmaker,
    CRY OF THE INNOCENT: The Voices That Can’t Speak
    http://www.cryoftheinnocent.com

    CEO, Lowson International Studios
    http://www.linkedin.com/in/kathleenlowson
    http://www.facebook.com/kathleenlowson
    http://www.lowsoninternational.com
    http://www.cryoftheinnocent.com
    http://www.inthelightoftruthmovie.com
    http://www.kathleenlowson.com

    Filmmaker’s Blog: http://www.cryoftheinnocent.com/?p=75
    Radio Interview: http://youtu.be/HVjIhXDRWdA

  • Mike

    Indeed. No love period, just for herself. No compassion, no heart.
    The only message is me me me, look at me! she should go out to see how these
    animals are trapped, sit with them as they try to chew off their leg and watch
    them die a slow, painful death. I wonder if one day when she gets off her ego
    trip and if  she will look at her photo’s with disgust herself; if she’ll be ashamed that she actually participated in
    one of the cruelest industries there is; if she’ll be ashamed she thought killing is
    cool. I hope foxes hunt her in her sleep and that she will only see big eyes,
    filled with pain and fear. “Compassion
    for animals is intimately associated with goodness of character, and it may be
    confidently asserted that he, who is cruel to living creatures, cannot be a
    good man” – Schopenhauer.

  • Vanessa

    No love, no compassion. It’s all about them, their image, and following. Instant wearable status. Trully disgusting. Fur is so Neuveau Riche, damn posers.

  • GDiFonzo

    The vest looks like it was made from at least two foxes. Considering the fitting process for the back of a vest, maybe even four.

    In any case, the whole thing is reminiscent of that awful documentary “Kill It, Skin It, Wear It”, which aired on Planet Green a couple of years ago. Anybody remember it? The mink-gassing scene in particular seemed the product of dubious editing, and the show mainly came across as a fur-industry puff piece. I’d like to see a post dealing with that show, because I think it helped set the ball rolling for this article.

  • Alaskan Trapper

    Do a little research on “Mange”.  Then ask yourself what would be a better way to meet your maker.